Long Beach Comic Expo 2019

Edited by Chris Edelen
Photos from Ariel Landrum


Long Beach Comic Expo 2019 offered a variety of female empowered panels focused on the importance of inclusion. Directly after the Captain Marvel: Origins panel, on Saturday, February 16, 2019, another table talk focused on female pioneers of the pop-culture industry. Higher Further Faster: They Lead The Way, sponsored by Disney, featured strong panelists that discussed the efforts they made to be on top.

Moderator Loryn Stone, lead reviewer for ToyWizard, opened the panel by introducing Martha Donato, founder of Long Beach Comic Con and Long Beach Comic Expo. She reported that she currently is the only female in the United States who owns a comic book convention. She got her start off in the early ‘90s working for Wizard Entertainment, which transitioned into Wizard World Chicago. After a career change, a move, and a deep desire to honor her passion for pop-culture, she created LBCC in 2009, and a year later LBCE.

Next, representing the comic book writing community, was panelist Barbara Randall Kesel. Writer and editor for DC Comics, CrossGen, and Dark Horse, she jokingly told the tale of how she discovered comics by wandering into a comic book store to escape a stalker. She stated that once she fell in love with comics, she followed the path to becoming a writer for DC Comics, where she had to make a name of herself in this “boys’ club” industry.

Following Kesel was well known cosplayer Ivy Doomkitty. She stated that being a female in the cosplaying community can be an advantage, but first one must accept that they can be in the community at all. Doomkitty reported that she often compared herself to the characters she wanted to portray, but would shy away because she wasn’t the same ethnicity or body type. Now top in her field, she realized embracing her love for comics through cosplay meant also embracing herself.

Barbra Dillon, Executive in Charge and Co-Founder of Fanbase Press, discussed the importance of representation and inclusion, which became the foundation of her company. She realized that she wanted to create a safe space for up-and-coming creators to have their comics published.

All women agreed that gathering places, like conventions, were safe spaces where individuals could find their tribe. When geeks were tormented for their passions, creating community through shared fandom was a way to escape, and feel included. The disadvantage, however, is that these communities still prescribe to Western social norms of the patriarchy.

This lead to a candid discussion about being women in the pop-culture industry, and the struggles that came with it. Kesel described “The Teflon Slide,” a term she coined after appearing invisible in a group of men discussing comics. Doomkitty pointed out that she often has her Geek-card checked by male fans often quizzing her knowledge of the character she is dressed as. Dillion and Donato reported that people are often shocked that they are owners of companies. Both reported being mistaken for secretaries or spoken to last in business meetings, as often they are not believed to be leaders in the company.

Despite these struggles, the women agreed that the industry is changing to become more inclusive for women. Donato and Kesel stated that these changes are made prominent just in the spaces of conventions alone. They stated that looking around, more and more young girls can be seen reading, sharing, and creating comics. Kesel joked that she longed for the days when she didn’t have to wait in line for the ladies bathroom, because she was the only one.

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